Tejera, strongly influenced by Dewey, operates on the working hypothesis that art is both a kind of experience and a kind of making, and addresses himself to the "inextricably related" problems of the ends and the creation of art. Creativity becomes the key; man is viewed as "the creative animal," and artistic creation is seen as a sort of natural human activity, to be understood in relation to all other human activities. Most traditional problems of aesthetics are taken up at (...) some point, but it is not quite clear how all the parts fit together. The book contains forty-five prints and, considered in terms of its physical format, is something of a work of art in its own right.—A. E. J. (shrink)

Contrary to Favrholdt's opinion, a book that "contains many mistakes" may nevertheless be a good book; it may even be a masterpiece. Thus, although Favrholdt's Interpretation contains many mistakes, it is nevertheless a good book. Unlike most commentaries on the Tractatus, Favrholdt makes a concerted effort to come to grips with the work as a whole. He tries to show that the thesis of extensionality is fundamental, and that the rest of the Tractatus is a working out of the consequences (...) of that thesis. Several of his interpretations are highly questionable, and he has a tendency to give up too easily on some crucial points. But he does give us an original and highly provocative treatment.—A. E. J. (shrink)

Essays on various aspects of contemporary American philosophy by nine contemporary American philosophers. The essays vary in type, ranging from quick surveys of current positions through surveys used as foils for personal opinions and defenses of particular meta-philosophical positions to contributions to particular fields which say nothing about current trends. Presumably aimed at a continental audience, the book should prove helpful to anyone who knows nothing about contemporary American philosophy.—A. E. J.

Each member of pragmatism's triumvirate is the subject of a separate study which sketches his intellectual biography, surveys his philosophical position, and takes account of the typical criticisms. The accounts are not subtle.--A. E. F.

Patrick Lancaster Gardiner is best known and most widely esteemed for his work on the nature of historical explanation. By addressing the problem of the limits of objectivity in relation to a variety of philosophical issues, he presciently identified the source of a number of philosophical disputes well before they had properly developed. This was certainly the case in Gardiner's treatment of historical explanation, and it is true also of his later treatment of the claims of the personal versus the (...) impersonal in ethical life. (shrink)

The 86 verses of Dorotheus printed at the end of Koechly's Manetho, 33 of which had already been published by Salmasius in his exercitationes Plinianae or his diatribae de annis climactericis, were edited by Iriarte from a scrap of manuscript at Madrid, into which they had been copied, as we now know, from the first book of the astrological treatise of Hephaestion of Thebes, who took Dorotheus for his chief authority. To these 86 verses nearly 300 more, by far the (...) most of which are preserved in the second and third books, still unpublished, of Hephaestion's work, have now been added, in the catalogus codicum astrologorum Graecorum vol. vi pp. 67 and 91–113, by Mr W. Kroll, the best editor they could have found ; a scholar who combines critical talent, knowledge of Greek, and knowledge of astrology, more happily than any of his associates, and who has emended much of the very corrupt text with conspicuous ability and success. A good many additional corrections, chiefly grammatical and metrical, have been made by Mr Ludwich in the Rheinisches Museum for 1904, pp. 42–54. (shrink)

‘The date of the poem has been canvassed with merciless prolixity for the last four-and-twenty years, but the pertinent facts are few.’ So I wrote in 1903 on p. lxix of my edition of the first book of Manilius; and in two octavo pages and a half I collected all those facts, said all that I could find to say on both sides of the questions in dispute, and drew the conclusion that books I and II were written under Augustus (...) and book IV under Tiberius. Ten years have passed, and the prolixity has continued, but the prolix have added no pertinent fact to those which I collected: some of them have even subtracted one, by suppressing the numismatic evidence, which I duly recorded, that Tiberius had Libra for his star. (shrink)

I Choose the word metrical rather than prosodical, to make it plain at the outset that I am not concerned with the rule in Priscian—not of Priscian, for its irrelevance is sufficient proof of that—G.L.K. II p. 82 7–9 ‘gnus quoque uel gna uel gnum terminantia longam habent uocalem paenultimam, ut regnum stagnum benignus malignus abiegnus priuignus Pelignus’, still less with the illegitimate inference sometimes drawn from it, that this pair of consonants, like ns and nf, lengthened a short vowel (...) whenever they followed it. The present dispute is not about vowels but about syllables; the power of gn to make position, as they say, like st or x, and so to impede the flow of verse. (shrink)

Originally published in 1936 as the second instalment of McKenzie's School Certificate series, this book explains the physical properties of heat. The text is accompanied by multiple photographs, drawings and diagrams to illustrate key points, and every chapter concludes with several questions for students to reinforce the chapter content. This book will be of value to anyone with an interest in the history of science education in Britain.